1. Side-by-Side Video Bitrate Comparison on Nikon D800 with NikonHacker Firmware


    After yesterday’s post, Lars Steenhoff sent us an updated, side-by-side comparison of video bitrates on the Nikon D800 at 3200 ISO with NikonHacker’s new firmware. Steenhoff comments that the 64Mbps file has more noise as a result of less compression, but cleans up easily in a final…

    See on fstoppers.com
     

  2. LensRentals.com Updates Damage Waiver Plans, adds Theft Coverage. « Canon Rumors


    Meet Lenscap and Lenscap+ The Lenscap protection plans are optional add-ons that limit your liability in the case of a covered event causing damage or total loss of products on your rental. Simply

    See on canonrumors.com
     

  3. Can you shoot at low ISO and boost exposure in post and get same results as high ISO?

    Exposures don't matter featured image

    Jeff Gaunt sent me this interesting set of photos the other day and I just have to get your thoughts – his theory is that you can shoot at low ISO and boost the exposure in post with photoshop instead of shooting with higher ISOs and not end up with more noise.

    I’m curious to see what you think… here’s Jeff’s notes:

    Exposures don’t matter

    From Jeff Gaunt:

    I ran an exposure test on a Canon EOS 5D Mark III recently which I thought your readers would find interesting.

    Its a different test to what most people do but the result was interesting and I think it will change how people think about exposures whilst shooting night time scenes. I have written up the results of my test below.

    Recently I had some time at the end of a shoot to run some exposure tests on my Canon EOS 5D Mark III.

    I know many people have done exposure tests but there was test that I haven’t seen but thought was interesting to try.

    I have worked on many projects that have involved filming time lapses of the night sky. There is always a balance of wanting to keep the ISO low but still get a beautiful bright exposure of the stars.

    I always found in post that I wanted to brighten the shot even more, and in doing so wound up with the same amount of noise in shots no matter what the ISO was.

    This lead me to the conclusion that changing the iso on the camera gives the same result as changing the exposure in post.



    My test involved shooting exposures ranging from 400 to 6400 ISO in 1 stop increments and leaving all the other settings on the camera the same.

    In post I took all the exposures into Photoshop, using the 6400 as my base I increased the exposure on all the other shots to match 6400.

    The top half of the image shows the original shots as they were imported into Photoshop. The bottom half of the image is the result of changing the exposures in photoshop.

    Click Image for Full Resolution

    Click Image for Full Resolution

    My conclusion is that there is nothing magical happening inside the camera at a high ISO, this means there is no benefit from running the camera at high iso when shooting at night as you can achieve the exact same result in post from a low iso.

    Now I have settled on my ideal camera settings for these situations at an iso of 1600 iso and use a fast f/1.4 lens.

    What’s your experience?

    Is Jeff crazy? Have you seen the same results? Do you shoot high ISO only to be disappointed?

    We’ve got active comments below – join the conversation and let everyone know your thoughts on high ISO and Jeff’s testing.

    See more of Jeff Gaunt’s masterpieces, visit his website http://ift.tt/1mDDIBk

    (cover photo credit: snap from Jeff Gaunt)





    via WordPress http://ift.tt/1mDDKsM
     

  4. Lytro Unveils World’s First Light Field Camera and Software Platform | Digital Camera Review


    LYTRO ILLUM creates “living pictures” by bringing the power of 3D computer graphics to photography and enabling new avenues for visual storytelling


    See on cameratown.com
     

  5. The Canon Digital Learning Center Offers Useful Tools for Creative Wedding Professionals

    he Canon Digital Learning Center Offers Tutorials on Creating Wedding Films Using Cinema EOS and HDSLR cameras; the Educational EOS C100 Menu Simulator

    If you’ve ever shot a wedding, you know the pressure to capture the key moments is intense. You may as well run and hide if you miss any of those one-of-a-kind happenings; you’re in deep doo-doo unless you get them all.

    Professional shooter Joe Simon takes his wedding coverage up a notch – he’s constantly shifting focus to increase the emotion and stylishness of his shots. This higher production value is what makes him a sought-after event videographer.

    Short of hiring a focus puller and setting up a video village, Simon shows how the Canon EOS C100 camera’s optional Dual Pixel AF upgrade allows both spot and continuous focusing to follow moving targets and to shift focus from one element to another.

    Also found in the Canon Digital Learning Center is a Canon EOS C100 Menu Simulator to aid in learning all the camera has to offer.

    Canon Digital Learning Center Offerings

    From Canon Press:

    With wedding season beginning in just a couple of months, now is the perfect time for wedding photographers and videographers to brush up on the latest trends to help them deliver the highest quality images of couples on their special day. To address that need, Canon U.S.A’s Digital Learning Center has tips and tools that can help prepare these imaging professionals for their busy season. First is a video featuring wedding cinematographer Joe Simon. This video provides tips on how to create unique wedding films using Canon’s Cinema EOS and HDSLR cameras. The second is the EOS C100 Menu Simulator, which gives professionals an educational tool to help navigate the cinema camera’s menu.

    The Canon Digital Learning Center Offers Tutorials on Creating Wedding Films Using Cinema EOS and HDSLR cameras; the Educational EOS C100 Menu Simulator

    The Canon Digital Learning Center Offers Tutorials on Creating Wedding Films Using Cinema EOS and HDSLR cameras; the Educational EOS C100 Menu Simulator



    Handcrafting Unique Wedding Films with the EOS System

    Handcrafting Unique Wedding Films with the EOS System  With Wedding cinematographer Joe Simon

    Handcrafting Unique Wedding Films with the EOS System
    With Wedding cinematographer Joe Simon

    Wedding cinematographer Joe Simon shares his views and techniques for shooting stylish wedding videos using Canon’s Cinema EOS and HDSLR cameras. This new video offers insight on how the Canon cameras he utilizes make shooting wedding films easier and also discusses his experiences using the new Dual Pixel AF feature available in the EOS C100 and the EOS 70D. Simon also explains how he uses multiple accessories with his Canon cameras to open up the potential for more dynamic camera movement and focus effects.

    For more information visit:

    http://ift.tt/1dTmMlt

    Canon EOS C100 Menu Simulator

    Canon EOS C100 Menu Simulator

    Canon EOS C100 Menu Simulator

    The EOS C100 Menu Simulator is a fully interactive platform that allows users to familiarize themselves with the camera’s Main Menu and Custom Picture Menu. With this innovative training tool, prospective or current users of the EOS C100 can navigate the simulated menu system with a mouse, keyboard arrow keys or their fingers (when using a touch screen device). Ideal for cinematographers, camera operators, camera assistants, producers, and directors, the EOS C100 Menu Simulator provides a convenient and accessible platform for training.

    For more information visit:

    http://ift.tt/1gQQUvt

    Did you find the tips in the Canon Digital Learning Center to be helpful? Let others know by leaving a comment below:

    (cover photo credit: snap from Canon Press)





    via WordPress http://ift.tt/1iKCukv
     

  6. FlashQ – the Smallest Wireless Flash Trigger Ever

    FlashQ featured image

    There are many wireless flash triggers on the market, but I think this is about the smallest I’ve ever seen and it is up for funding on indiegogo (and not doing too well – maybe there’s not enough market? Or is it just not getting enough exposure? (bad photography pun))

    What do you think? Sound off in the comments below.

    FlashQ: The Little Cube for Flash Photography

    From Indiegogo:

    FlashQ is a 2.4GHz Wireless Flash Trigger. It is the smallest wireless flash trigger ever and the perfect companion to Mirrorless and Prosumer Cameras. It works well with big SLR camera. Make the off-camera flash lighting possible at any angles and unleash the creativity in photographers.



    FlashQ Key Features

    Compact and Stylish

    This little cube design makes FlashQ fit in any cameras with standard ISO hot shoe. Its stylish outlook perfectly matches with your camera.

    FlashQ Key Features image 1

    Simple User Interface

    Both FlashQ transmitter and receiver get the same user interface: 2 buttons and 1 tri-color LED indicator.

    FlashQ Simple User Interface image

    Cold Shoe Adopter for FlashQ Receiver

    A cold shoe adopter is available for FlashQ receiver. This adopter makes the remote flash gets setup or positioning easily. The 1/4“ screw threads underneath adopter provides another option for tripod mount.

    Cold Shoe Adopter for FlashQ Receiver

    Learn more FlashQ and Support their Indiegogo Campaign by visiting FlashQ: The Little Cube for Flash Photography

    (cover photo credit: snap from Indiegogo)





    via WordPress http://ift.tt/1jI2meO
     

  7. First-Ever Video Output Working on Open-Source Axiom Alpha Prototype

    Axiom Alpha Prototype featured image

    The open-source, open-book approach taken by the development team at Apertus with their tagline = “Open Source Cinema” is a refreshing and exciting new approach to video product development.

    Sure, it’s obvious why the Canons, Sonys and Arris of the world have to operate in secret to safeguard their intellectual property and corporate strategies, but I really get a kick out of how we’re privy to each new development on the Axiom Alpha cinema camera -both successes and setbacks are shared openly.

    I hope that internet trolls will refrain from criticizing the first moving images from the Alpha sensor – after all it’s a prototype and clearly indicated as TEST footage. Instead, acknowledge this milestone and raise a glass to wish the Axiom team nothing but success in their endeavors!

    Moving Images from Axiom Alpha Prototype

    From Apertus:

    We have now resolved the issues we were facing with HDMI video recorders. It turns out that monitors are capable of synchronising to whatever frequency you are supplying them with, making them very tolerant and usable straight out of the box – even with non standard signals. Recorders on the other hand are a lot less flexible when it comes to the frequency of the supplied input signals. It appears that they will stubbornly refuse to do anything unless the supplied input frequency is perfect. Unfortunately, the documentation we’ve found for this is often in contradiction – some sources define this frequency as standard, whilst others will list a different specification. As a result of this confusion, we’ve ended up cycling through multiple frequencies, adding a few Hz at a time until an image appeared on the HDMI recording device.

    Please note that this footage contains the first basically unprocessed raw (not in original bayer pattern though) image samples ever recorded with the Axiom Alpha prototype. Whilst this is a major milestone, it represents only our first step through the door and into the beginning of the actual tweaking. Also keep in mind that this is TEST footage not captured with the intent to showcase the capabilities of the camera but rather to proof that it is working at all. While we think you can already see some potential in the image quality the video is simply NOT meant to be beautiful yet. As it stands, the video signal output from the Axiom Alpha still carries some flaws.



    We have not yet:

    • calibrated the colours of the camera
    • calibrated the white/black point (offsets) and linearization, leading to some vertical streak/curtain effects
    • created a Fixed Pattern Noise (FPN) profile (the Alpha prototype already supports this, however we have not yet found the time to actually conduct the required measurements)
    • There are some red lines at the bottom of the image, this is due to unresolved minor incompatibilities between the Axiom Alpha HDMI output and the utilized recorder
    Moving Images from Axiom Alpha Prototype

    Moving Images from Axiom Alpha Prototype

    Due to the limitations of the HDMI encoder chip implemented on the Zedboard, we are currently outputting a rather exotic colour mode: RGB 2:4:2. This has resulted in 1 pixel colour shifts in some situations, visible as red/blue tints around vertical lines. We are currently investigating alternative modes that eliminate this problem. Please also keep in mind that Youtube re-compresses every video that is uploaded, so even when viewing at 1080p, you will still see noticeable compression artifacts irrespective of how crisp the original video upload might be. Since we are still in the process of tweaking and fine-tuning everything, we don’t mind these compression artifacts for now. You can rest assured that as soon as we have a greater selection of artistic footage ready to showcase, we will provide access to high quality online video playback / download of these clips.

    Read more about this at Apertus: Moving Images from Axiom Alpha Prototype

    (cover photo credit: snap from Apertus)





    via WordPress http://ift.tt/1jHLRiS
     

  8. Big League CineSummit – FREE Cinematography Event Online!

    CineSummit blog image

    [Paragraph Intro]

    [More Paragraph intro here]

    What is Big League CineSummit?

    Never worry about disappointing footage again. Because we’ve gathered 9 Top Cinematographers and Film Makers for an online cinematography summit called Big League CineSummit – on May 6th & 7th. And you can register today, for FREE.

    With each class, our renowned panel of accomplished cinematographers & film makers will personally SHOW YOU how to quickly transform your filmmaking – revealing hundreds of insights that took them years to gather.

    And the best thing – It’s FREE for 48 hours!



    Top Cinematographers Around the World Share Their Knowledge

    Discover the various techniques and tools that the best cinematographers around the world use to achieve stunning images. Imagine being able to apprentice with the folks that are creating the kind of work you would like to create. Big League CineSummit is your chance to do just that.

    BigLeagueCineSummit Presenters

    The Presenters:

    “Using Lighting & Color For Mood” with David Wright

    “How To Film A Fight Scene” with Jordan Cushing

    “Must Have Filters for Beautiful Visuals” with Ryan E. Walters

    “Achieving Rich, True, Cinematic Blacks” with Arden Tse

    “The Film Look: How Digital Cameras Can Emulate It” with Art Adams

    “High-End Cinematography & VFX On a Budget” with Peter Szewczyk

    “Beauty Lighting – The Secret to Commercial Beauty” with Matt Workman

    “Creating a Look In Camera Using Gels” with Phillip Briggs

    “How to Create Cinematic & Dramatic Lighting” with August Bradley

    Reserve your spot by registering HERE

    (cover photo credit: snap from Big League CineSummit)





    via WordPress http://ift.tt/1rfYGG1
     

  9. Freefly Movi M10 - Basic Tutorial - Magnanimous Media

    Jonah Rubash explains the basic setup and balancing process of the Freefly Movi M10. Advanced Tutorial: https://vimeo.com/92337380 Magnanimous Media offers…

    See on vimeo.com
     

  10. Dynamic Perception’s New Stage R


    Dynamic Perception delivers news on their long awaited 3-axis motion control unit: The Stage R. See all the details into the kickstarter campaign helping this small company get their product out there.

    See on provideocoalition.com